The first interaction with the tattoos was one on my own skin. The first tattoo made by someone else on me was followed by the first one I ever made, also on me. 

At that time, graffiti was an important part of my life. Instead of an art school, there were years of graffiti, exhibitions and contests that led to the idea "I want to do art for a living". This is how I started my apprenticeship in tattooing, which, in addition to being a drawing, is patience, it is counselling, it is closeness and trust.

At this moment, drawing, in any form of it, is a constant of mine.

The inclination towards geometric, dot work or abstract is in a harmonious symbiosis with adaptability and constant learning of making a bridge between graffiti art and technical drawing (which I was doing and enjoyed in high-school). 

People's beliefs, passions and desires are as different as they are fluctuating, and the artist's role is to orbit these inconveniences.

Tattooing on people's skin is one of the most personal art forms, and this bridge between the consumer and art, who is the tattoo artist, is beyond the concept of work, it is a way of life and making relationships on so many levels.